SALLY SOPRANO I Confidential Instructions for Lyric Operas Business Manager Norbert Jacker Mark Gordon 1982
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In 1982, a new opera called “Sally Soprano” was commissioned to mark a year of New York’s 250th birthday. This piece, for mezzo-soprano, flute, piano, and orchestra, explores the life and times of Sally Soprano, a character on the TV show, “Sopranos,” in HBO’s original series of the same name. This libretto was written with lyricist Norbert Jacker and composer Mark Gordon. The opera is
SWOT Analysis
1. Business Manager: Sally is a savvy businesswoman with expertise in finances, marketing, and public relations. She is very adept at identifying market trends and implementing changes to maximize the company’s profits. She has a reputation for being tough but fair in managing staff and negotiating contracts. 2. Lyric Operas: Sally is currently the Business Manager for Lyric Opera of Chicago. As the opera company’s top executive, she oversees every aspect of their productions, including ticket sales,
Evaluation of Alternatives
1. First let me tell you how I came to be in charge of the lyric productions for this new operatic project at the NBC television studios. As you know, I’m a former artistic director of the Metropolitan Opera. 2. One afternoon last October, as I walked by the NBC Studios on 59th Street, I noticed a new sign up on one of the walls. I stopped and read it: “Directions for Lyric Operas.” “This place is like a secret society,” I thought. 3. So, naturally
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The Lyric Opera of Chicago had launched its inaugural production of a new work by William Schuman, “The Nose,” in a small concert setting, to rave reviews and a new company of young professionals. I was hired as the Business Manager for the company. I was delighted when the company decided to mount the work in full. My enthusiasm was reinforced when Norbert Jacker, the Artistic Director, and the composer, William Schuman, agreed to take part in the planning. The Nose was a daring new
Financial Analysis
1. I am confident that Lyric Operas of New York City could thrive financially, as the author has found them to be in their finance department. The author does not explain what the author found. In my experience as a musicologist, lyric operas were always seen as the low-budget alternatives to full-scale operas, usually associated with opera houses that were still developing their repertoire. The lyric operas often had smaller casts and fewer performances, and they were often not the kind of works that could compete with the grandeur
Porters Model Analysis
My name is Sally Soprano and I am the top expert in this case study. My passion for musical theater is second to none. I write librettos, lyrics, and music for all types of musicals, from small cabarets to Broadway. My work has been published and recorded by major labels, including Arista, Columbia, and Capitol Records. I have won several awards for my efforts in theater. In this project, I was given the task of writing librettos for the lyric opera “The Lady With the Bag,” by