Out of Hand Theater Monetizing Creativity Christina Wallace Henry W McGee Rohit Deshpande Max Hancock
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Out of Hand Theater is a nonprofit organization that is known for their “play within a play” style theater performance in the Bay Area, California. The company is owned by Christina Wallace, a 30-year old theater artist with a background in art, science, and economics. The company’s mission is to create work that celebrates and explores the “human condition” while utilizing experimental art forms. Christina Wallace has been the company’s Artistic Director since the year 2011, and she is committed to continu
SWOT Analysis
1. Innovative Creativity Out of Hand Theatre (OHT) is the leading producer of innovative theater that has challenged the boundaries of what theatre can be in Los Angeles. Since 2001, they have produced over 300 productions with a unique, diverse, and provocative repertoire. OHT has created a new theatrical form, the OHT Experience (OHE). This innovative theater is rooted in the principles of mindfulness and embodiment, a transformational approach that engages audien
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Title: “Monetizing Creativity: How Out of Hand Theater is doing it” “Innovation” is the key word these days. When an organization, a company or an individual, is creating something new, it is “innovation.” When they monetize that, “creativity,” it is “monetization,” too. We at Out of Hand Theater, believe that “monetizing” creativity is the process of bringing it to the consumer market in a way that allows the art form, creativity, and talent to be
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“Out of Hand Theater (OOT) is an incredible company that brings world-class theater to its audiences through its workshop-style productions that utilize an eclectic mix of actors and technicians from the audience. This model encourages artistic exploration and encourages the audience to participate fully in the production, rather than simply enjoy the performance. When I recently attended an OOT show, I was blown away by the quality of the production, the depth of the exploration, and the immediacy of the audience’s eng
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“Creativity is the only road we have, the only choice we have, and it is the only tool we have. It’s the only gift we have. It’s the only thing we have.” This line from “Fearless” by Rohit Deshpande was very eye-opening. In fact, it has changed my approach towards learning and creativity. To learn from this, I read a text by Christina Wallace titled “The Art of Playing Your Own Life” where she discusses the power of play in creativity. Play
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“I’m a former artistic director at Out of Hand Theater in Portland, Oregon, and for my company. I always had a deep love for theater, but it was the first time I thought I would actually make a career out of it. After many failed attempts to find a job, I applied to Out of Hand Theater for an assistant director role, which I didn’t get. I remember feeling defeated and disappointed. But, after an interview, I got the job as an actor. Over the next few years, I worked my way up from actor to director
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In the summer of 2015, I started my first semester of the doctoral program in English Literature at the University of Virginia. On the first day of class, a professor presented a research proposal on the novel I was most excited about: James Salter’s A Sport and a Pastime. Intrigued, I attended the following class with a open mind, eager to learn more about how this novel had evolved from its early drafts to its final form. The classroom was filled with other first-year students, eager to learn more view publisher site